Mexico on the Move: A Return from Timelessness - Archives of American Art Blog

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Monday, December 03, 2012


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I am wondering if Henri Cartier-Bresson was a part of the Surrealist Week. His photos of images in Mexico in 1934, especially the print titled, 'Mexico, 1934' evoke a powerful response to tension created by his use of disparate elements. The man's face in the photo is not shown, leaving the reason for his gesture unclear.

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